The joy, is getting the positive and surprising reaction from art enthusiasts, who can’t believe it is not a photograph. Using my own photography, I re-create the images with a goal of achieving ‘photo-realism’ and to enhance the ‘storyline’ with technique, professionalism and commitment.
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white chalk & carbon pencils
I worked out each section, creating a storyline... but not of doom or darkness, instead rising above to lift and help each other find our own personal version of 'hope', individually and universally.
The reference was from a Newspaper photographer Bill Johns which was taken in 1964 in Victoria.
With chalk, I took advantage of the background (window) as to the direction of light. Once an artist respects and follows the lights laws, realism can be achieved.
"Boots on a Fence" is another great reference photo taken at a rodeo, and another personal favorite pencil drawing that depicts 'Western' life in the province of British Columbia, Canada.
The story line is the most important factor for this drawing. But also notice the triangles in the centre that keeps the eye in the image!
The challenge for this piece was, "how much detail and realism can I achieve just using a chalk pencil on black board"?
Photographing a parade in Kamloops in the summer of '92 brought the opportunity for this photo.
Inspired for a poster design, this piece took thought and planning.
The reference to draw “Peaceful Warrior – came from a Historian, but failed to mention details of the subject.
The two subjects are my riding mates on a high mountain trail. I wanted to not only capture the 'moment' of being up there but the beauty which presents itself on the trail.
Birds are one of the most challenging subjects to draw, and it helps to know the anatomy of the wing and the detail in the feathers.
The reference for this work came from a photographer for the Victoria Newspaper, named Bill Johns.
Created while learning the difficulty in drawing horses. One of the hardest subject matters to draw.
acrylics & watercolor
"General Heitor" is my most ambitious painting in the "Tree Lord" series and is only the first of many tree paintings to come.
"Curious Beach Walker" is the first in the "kids" series, and my first professional acrylic painting.
I took my time as I carefully used a form of 'pointillism' to paint portions of this piece. It took 4 different forms of painting style to achieve that 'realistic' look.
I knew it had to be a watercolor as I wanted to experiment more into that medium. This is my first professional watercolor painting.
I brought with me the reference photo which was worthy of a masterpiece. Because of its colors on the blue shack, it was obviously destined for a watercolor.
colored charcoal
Inspired by the storytelling composition, I immediately saw the possibilities this reference would present.
The story here might be obvious for some, yet others might not see a distressed crab. He is trying to hide behind the kelp that keeps waving in the current.
This is an “Olive Farmer” showing affection for his hard-working mule.
Continuing the “Moroccan” series, the reference photo for this piece was taken in Marrakesh.
A young butcher poses as a drummer down at the “Market” during his smoke breaks.
The reference for these two came from the Atlas Mountains of Morocco where I lived with these Berbers for six months.
I wanted to be able to give the viewer the choice of what the story would be for each subject.
Not far down the road I could see the lights of an oncoming vehicle so I waited, just as a taxi passed me, I took the shot!
"Weathered Cowboy II" is on my shortlist of masterpieces, and also one of my favorites.
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